Deadline
for the receipt of work is the 18th October 2009
SUBMISSIONS
ARE INVITED TO EITHER ONE OR BOTH OF THE FOLLOWING CATEGORIES:
1.
Short artists’ videos, animation and / or performance-based,
both historical (i.e., post ‘89) and contemporary. Selected
entries will be screened on location in Berlin. A shorter
edition will also be screened at a central London cinema location
after the Berlin event. It is possible that other UK venues
will also be realised.
2.
Still images for the Berlin edition of the Field
of Vision artwork. FoV is a serial artwork in which artists
submit electronic images to a database that is then curated
into thematic relationships with specific sites and audiences.
As such the artwork exists both on the Internet and also appears
as a physical gallery installation at sites around the world,
with New
York, Frankfurt
and Beijing
to date.
THEME
The fall of the Berlin Wall in 1989 was famously epitomised
by Francis Fukuyama as marking the “end of history”
for the way that it brought to a close the struggle between
Soviet-style East European communism and Western market-led
liberalism, with the latter succeeding the former. Fukuyama’s
claim was, of course, outrageously exaggerated in that the
very event precipitating its use also ushered to the fore
another, arguably larger, historical narrative; Globalisation.
Since 1989, this ‘new’ world history in the making, born substantially
of an alliance between Western neo-liberal and Chinese socialist-market
ideologies, has produced twenty years of rapacious economic
development, and overseen China’s emergence as the ‘workshop
of the world’ and a global economic power.
However, in the wake of the current global financial crisis,
artbetween and CACN voice the crucial question now facing
the world - whether a recast alliance between East and West
is capable of bringing to fruition a new and responsibly sustainable
era of development, or whether we are fated to see the old
East-West binaries buried along the dismantled fault lines
of the Berlin Wall de-interred and brought to life around
a negative dialectic vision of Sinic and Western cultures,
as outlined (for example) by Samuel Huntington in his ‘Clash
of Civilisations’ thesis.
artbetween and CACN view Huntington’s thesis as an interpretation
that needs to be challenged through performative actions on
many fronts that might help engender the new responsible associations
between China and the West that are sought for. “Break on
Through to the Other Side…” represents a first contribution
to this wider project by marking the 20th anniversary of the
Fall of the Berlin Wall through inviting artists from around
the world to submit art works that address, challenge or reference
the concept of movement between, through,
and / or the overcoming of, boundaries and walls.
In this context ‘boundaries’ and ‘walls’ will, of course,
be open to the broadest possible interpretations as tangible
and / or intangible entities, i.e., physical, mental, and
/ or spiritual; human / animal, animate / inanimate, etc..
Malcolm Ferris, CACN
SUBMISSION GUIDELINES
------------------------------------------------------------------------
To submit moving image works to the screening events: please
post your DVD to:
(Please refer to Chinese
Version)
------------------------------------------------------------------------
To submit still images to the Field of Vision: please email
your image(s) direct to:
info@artbetween.org
------------------------------------------------------------------------
In both cases you should attach a CV and, if you wish, a short
statement relating to your work in English.
The final deadline for receipt of work is the 18th October
2009.
Submission of work implies full agreement to participate in
the events developed by the organisers according to the exigencies
demanded by local conditions. Copyright of course remains
the property of the artist and all selected artists will be
credited at showings.
artbetween and the China Art Criticism Network (CACN) are
both not-for-profit ventures and no fees will be paid, although
it is expected that the events will generate considerable
publicity that all participants will benefit from. Finally,
owing to administrative and postal costs the organisers will
not be able to return submitted discs.
PROJECT DIRECTOR / CURATOR:
Stephan Hausmeister, artbetween
(UK)
THEORY & CONTEXT / CURATOR:
Malcolm Ferris, CACN (UK)
DEVELOPMENT & FUNDING:
Alison Dalwood, artbetween
(UK)
TRANSLATION:
Guo Sheng, Oxon Translation
Service (UK)
SUPPORTED BY:
Plymouth College of Art (UK)
Greenwood Global Media, New York (USA)
University of Hertfordshire (UK)
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